Glory Road Reaction Paper Essay Example

Glory Road: Reaction Paper Paper He uses theory X to his player that thinks that basketball was Just a game that will make them happy because they were usually discriminated when they play, it became a reason for them to not to play. Unlike to his player that since from the beginning was so eager to win the championship, He uses theory Y because from the beginning they really like and eager to win the NCAA Basketball Championship. Like what Vive read few months ago it says there that in a game there is only one goal which is off course to win. But Motivation is one of the critical ingredients to success both in and out of sports. Its the one element that will allow you to get back up after repeated failures and still achieve your goals. In the movie, we can say that, Texas Western College Is one of the weakest team and consider underdog team in NCAA Mens Division Basketball Tournament during that time. But Don Haskins accepted the challenge to revive and to form a team that will know through its potentials and its teamwork. It was also a big risk for Don Haskins to have the courage to form a team that consist of black Americans which they consider as a low class of people. But this thinking and the thought of racial discrimination did not hinder Don Haskins to accept the challenge for he does not look on the level or standards of people on the society, but he views everyone as equal. I personally admire his leadership skills and on how he motivates his players. He uses lot of ways to motivate his player like, he uses Goal-setting that helps his team work towards their own objectives. We will write a custom essay sample on Glory Road: Reaction Paper specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Glory Road: Reaction Paper specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Glory Road: Reaction Paper specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Because of Don Haskins determination and dedication to his team, his team eventually felt motivated to win. He influenced his team by his action. Like what John Quince Adams says, If your actions Inspire others to dream more. Learn more. Do more and become more, you are a leader. 2. Describe the Team based on the Basic Group Concepts discussed in class. Are hey a high performance team? Why? The Texas Western College Miners was Indeed considering as a high performance team because they have the characteristic a winning team should have. Im not saying that their team was perfect, it is just that they have their passion, competitive spirit, accountability to each other and most of all their discipline and determination that a high performance team should have. They are also having only one similar goal, which Is to win the championship that became also one of the main reasons for them to level up their effectiveness as one 1 OFF ask and responsibility. They were responsible in their task that made them even more effective and enjoy playing their sport. One thing that amazes me more and keeps on admiring Don Haskins leadership is how he disciplines his players as they work together and play as one. Discipline is one of the vital and important parts of learning, thats one of the first main thing that Don Haskins imparted his team that resulted them to perform excellent in every game that they played. Texas Miners was not considered a perfect team, there are many down falls and failures that the team has already did. But one thing that made them excellent and champions in their sports was their heart full of determination. They faced lots of discrimination and racism but these things did not hinder them to win, to change and to break the wall in the NCAA basketball tournament segregation between white and black American players. Truly it was a triumph over segregation. 3. Cite scenes showing conflict within the team. Did these conflicts contribute to the teams effectiveness? Explain One scenario in the movie that show conflict in the team was when Don Haskins told them to play his game and to be pressured or controlled by their emotions. But they dont listen to him; instead they were controlled and manipulated by their grudge and anger toward their competitor. They let discrimination and discouragement from the people win them over, and soon provoked them to anger. Because of their disobedient attitude they lost the game. But one significant line that Don Haskins says. He says, Sit down. Never let your anger get the better of you. These lines really spoke not Just to his players but also those who viewed this movie including me. This conflict has a big contribution to their teams effectiveness; because this made them more responsible and operative to their play. It also serves as an inspiration and motivation for them to become more competitive and eager to win. They also learned that anger and grudge toward their enemies is not a reason to quit, and forget everything that they have invested to win and maintain a perfect season, rather they should be more motivated to win and to prove that basketball is not only for white but also a game for the black Americans. 4. Cite scenes showing negotiation within the team. What was the outcome of the negotiation? The main negation that has a big impact to me was when the coach talks o his team regarding to their last game performance. That moment his players was truly mad and because of the discouragements and discrimination that they were receiving from the people around them. Don Haskins speaks effectively towards his players, he may start mad, but in the end, he really made his team realized that no matter what the people do to them they cannot take their dignity away from them, for their dignity is inside them. I still remember his line during that time, Willie Scoops Eager: Theyre trying to take our dignity away from us. Coach Don Haskins: inform sanitys inside you. Nobody can take something away from you something you dont give them. These words really spoke to the hearts of the Texas Miners players. Coach Haskins has a good communication skill when it comes in negotiating to his players. He has an understanding heart toward to his team. He also knows how to use types of character and personalities of his team. Some of the lines that Don Haskins uses when negotiating with his team are, l dont see color. I s ee quickly, I see skill. Thats what Im putting on the court, and thats what you have. Right now its not bout talent, its about heart. Its about who can go out there and play the hardest. Who can go out there and play the smartest. Now, theyve been here before, and so theyre not going to give it to us. We got to go out there and we got to take it. Take it! Another scene that shows team negotiation is when Don Haskins decided not to let his white players and let his black players prove themselves in the eyes of the American people. When Jerry Armstrong says, Coach, I cant lie. I want play. We all want play. But I Just want to say one thing. Tomorrow night, wall go out there and how them how bad five brothers can be on the court can be. Despite of the many misunderstandings of the team, at the end they became closer to each other until they already consider their team as a family. These are Just fruits of a good and effective negotiation within a team. 5. From the Synoptic Gospels (Matthew, Mark and Luke), identify 3 bases of power of Jesus (Cite book, chapter and verses). How did Jesus use His power in these passages? For what purpose? From the Synoptic Gospels (Matth ew, Mark and Luke) Jesus practice His power in many ways using different bases. The first base of power that He uses was coercive power. It teaches me that we should not look others unequally. We should be fairer to everyone, and we should view everyone equally for we are all created by God. We may vary in color, gender, statuses and many more but there is something common in us and that is that we are being loved and cared by God similarly. Indeed, the movie in itself is a testament to the challenges that racism created in the past. Glory Road is a reminder for me personally about what it took to get to the point we are today in sports. It shows us hat had to be overcome in the past and therefore I feel we can better appreciate the present. And is also a constant reminder that all people are the same and there Road, is also an eye opener for us on how we view our statuses in the present day. Some of us might not be on the top, some of us might be Just on the middle but this does not define us or control us on how we should treat everyone. We are all human that needs love, comfort, shelter and food. The movies also teach us on how we should lead a team or an organization. Don Haskins may not be the best coach but here is something in him that made him the best and unique when it comes on leading and motivating as a team.

Grasshoppers, Crickets, and Katydids, Order Orthoptera

Grasshoppers, Crickets, and Katydids, Order Orthoptera If youve walked through the grass on a warm summer day, youve likely encountered members of the order Orthopterathe grasshoppers, crickets, and katydids. Orthoptera means straight wings, but these insects would be better named for their characteristic jumping legs. Description Crickets, grasshoppers, and katydids undergo incomplete or gradual metamorphosis. Nymphs look similar to mature adults but lack fully-developed wings. Powerful hind legs, built for jumping, characterize the Orthopteran insects. The muscular legs propel grasshoppers and other members of the order for distances up to 20 times their body lengths. Insects in the order Orthoptera are known for more than their jumping skills, however. Many are accomplished singers as well. Males of some species attract mates by producing sounds with their legs or wings. This form of sound production is called stridulation and involves rubbing the upper and lower wings or the hind leg and wing together to create a vibration. When males call for mates using sounds, those species must also have ears. Dont look at the head to find them, however. Grasshoppers have auditory organs on the abdomen, while crickets and katydids listen using their front legs. Orthopterans are usually described as herbivores, but in truth, many species will scavenge other dead insects in addition to feeding on plants. The order Orthoptera is subdivided into two groupsEnsifera, the long-horned insects (with long antennae), and Caelifera, the short-horned insects. Habitat and Distribution Members of the order Orthoptera exist in terrestrial habitats throughout the world. Though often associated with fields and meadows, there are Orthopteran species that prefer caves, deserts, bogs, and seashores. Worldwide, scientists have described over 20,000 species in this group. Major Families in the Order Gryllidae - true or field cricketsAcrididae - short-horned grasshoppersTetrigidae - grouse locusts or pygmy grasshoppersGryllotalpidae - mole cricketsTettigoniidae - long-horned grasshoppers and katydids Orthopterans of Interest Oecanthus fultoni, the snowy tree cricket, chirps the temperature. Count the number of chirps in 15 seconds and add 40 to get the temperature in Fahrenheit.Ant crickets of the subfamily Myrmecophilidae live within ant nests and are wingless.Large lubber grasshoppers (family Romaleidae) raise their hindwings when threatened and produce a foul-smelling liquid from pores in the thorax.The Mormon crickets (Anabrus simplex) are so named for a legend. In 1848, the first crops of Mormon settlers were threatened by a swarm of these voracious eaters, only to be eaten by a flock of gulls themselves. Sources: Insects: Their Natural History and Diversity, Stephen A. MarshallKaufman Field Guide to Insects of North America, Eric R. Eaton, and Kenn KaufmanOrthoptera - Dept. of Entomology, North Carolina State University

Bicyclists and motorcyclists should be required by law t Essay

Bicyclists and motorcyclists should be required by law t - Essay Example When motorcycles and bicycles are involved in any accidents, the physical body of the human could be injured particularly the head or the brain part, leading to death and even if an individual survives, the life will be a living hell. This brings into the picture the importance of helmets and how helmets could save a person from death or from becoming a ‘Vegetable’. This being in argument, the other is how many motorcyclists and bicyclist are driving without helmets with a lot of comfort, and how helmets could cause accidents. Thus, this paper will focus on the role of helmet and how it can be a lifesaving tool on one side and how it is not such a lifesaving tool and could give discomforts on other side. Helmet worn by motorcyclists and bicyclists brings in a lot of advantages and importantly saves a lot of lives. That is, as helmets are like a strong armor for the head, any strong and dangerous impacts during an accident can be absorbed by the helmets. In most of the accidents and incidents involving motorcycles and bicycles, the riders will separate from the vehicle and the head of that individual will normally make a strong impact on other strong objects like the other vehicles, roadside objects and even the strong road. That impact could damage or break the skull leading to the damage to the brain resulting in death. Motorcyclists usually separate from the motorcycle at some time during a crash. It stands to reason that protective apparels like helmets are far more likely to be effective than protective equipment attached to the motorcycle In the event of a crash, no existing strategy or safety equipment offers protection comparable to a FMVSS 218 compliant helmet. (NHTSA). Helm eted riders have shown significantly lower injury impacts in all types of lesions in the body particularly in the head. A recent analysis from the Crash Outcomes Data Evaluation Systems (CODES) from six states demonstrated that helmets were 35 percent

I will attach the Topic and instruction Essay Example | Topics and Well Written Essays - 500 words

I will attach the Topic and instruction - Essay Example 013).On the other hand the Democrats considered it as â€Å"nonsense† (Austin, 2013).They accused the Republicans of exploiting the voter-ID law to create hurdles for the poor citizens of Texas and the minorities. The Law involved the active participation of the Texas Legislature, Senate and House, Gov. Rick Perry, federal government and the U.S. Department of Justice. The Law was passed accordingly under the supervision of the Legislature of Texas after three legislative rounds and six years. The House approved its version in March, 101- 48. After contrasts between the Senate and House versions were resolved, both chambers approved the final version, in May, SB 14 and forwarded it to Gov. Rick Perry, who had announced the issue a crisis item at an earlier period in the session. Notwithstanding, more than a year and a full election cycle after its entry, the law is still not in effect, its incorporation first held up by the U.S. Division of Justice, then denied by a federal circuit court. Its extreme destiny was chosen by the U.S. Supreme Court. During the time of July 2011, Texas formally asked the Justice Department to "preclear" the law and permit it to become effective from Jan. 1, 2012. The federal government had 60 days to go for one out of the three alternatives: support the solicitation, deny it or request more data (The Texas Tribune, n.d .). The issue affected the women of Texas to a large extent since after marriage their surnames often get changed. While a few Americans headed to twitter to express their backing for the new voting regulations, others utilized the medium to whine about not having their vote numbered or being compelled to go through excessive complications, for instance putting signature on a sworn affidavit. Furthermore to underscore the perplexity that these laws have fashioned the nation over, a few voters didnt realize what sort of recognizable proof, if any, they required to produce. There are also accounts of poll workers asked to

Right to privacy Essay Example for Free

Right to privacy Essay One of the hallmarks of every free and democratic society is the enjoyment by the people of their right to privacy. An example of the right to privacy is that which is protected and guaranteed under the Fourth Amendment to the United States Constitution. Thus, searches and seizures to be valid must comply with the requirement of â€Å"reasonableness†. In case this requirement is not complied with then any evidence obtained in violation of the Fourth Amendment shall be declared inadmissible in any court of law pursuant to the Exclusionary Rule. One concrete example of the right against unreasonable search is when a police officer squeezes the luggage of a bus passenger in search for drugs. In the case of Bond v. United States, 529 US 334, Bond was a bus passenger when a border patrol agent boarded his bus to check on the immigration status of the passengers. While checking the immigration status of the passengers, the patrol agent it squeezed Bond’s bag and felt an object inside it. When asked, Bond allowed the agent to open it. The agent discovered methamphetamine inside his bag. In this case, the court ruled that the two part-test established under Katz v. United States to make a search valid for purposes of the Fourth Amendment not complied with: a) governmental action must contravene an individuals actual and subjective expectation of privacy; (2) and that expectation of privacy must be reasonable in the sense that society in general would recognize it as such. First, Bond had a reasonable expectation of privacy over his personal belongings and this is manifested by the fact that he brought with him an opaque bag that was placed over his seat. Secondly, the society in general recognizes that such expectation of privacy is reasonable. Although there is the expectation that the said luggage will be handled by other passengers of bus employees, there is no expectation that the luggage will be physically manipulated in an exploratory manner as what the patrol agent conducted in this case. The ruling in this case is particularly important for the protection of the people who are in public vehicles. It bears stressing that the privacy of a person is not limited only to his house, his office, his garage but this right extends even to his personal belongings. Mail Searches The same protection of the right to privacy extends to first-class letters and sealed packages. The rule is that in the absence of any probable cause that will lead police and postal authorities to conclude that there may be illegal contraband inside letters or packages they do not have any authority to inspect and open them for the purpose of searching for any illegal item. The case of United States v. Van Leeuwen is instructive. Even if there is probable cause to believe that there is an illegal contraband inside the letters or packages the same still does not authorize police and postal authorities to open them. Their authority is limited to the right to detain them for a reasonable time sufficient to obtain the required search warrant. It is only when the search warrant is obtained that they may open these letters and packages. The idea behind this principle is simple. The right to privacy and the right against unreasonable search and seizure are so important that suspicions for an illegal contraband inside the letters and packages do not suffice. There is also no justification for police and postal authorities to immediately open these letters and packages since the letters and packages are within their full control which gives them sufficient time to wait until search warrant is secured. Searches and Seizures by Private Persons One limitation of the provisions under the Fourth Amendment is that it extends only to privacy intrusions committed by government agencies and officers. Searches and seizures made by private individuals even if they violate the Fourth Amendment are not protected by the Fourth Amendment. The reason is simple. At the time the Fourth Amendment was included in the US Constitution that same was intended to guard against the potential abuses that government authorities may commit against private individuals. Historically speaking, the Fourth Amendment was originally designed as a response to the controversial writs of assistance that was prevalent before the American Revolution. (â€Å"Fourth Amendment to the United States Constitution†) It seeks to limit the power of government authorities and to protect the privacy rights of the people. Thus, considering that private individuals are on equal footing the framers thought that there was no reason to expand the scope of the Fourth Amendment and include therein private individuals. Thus, evidence obtained by private individuals in the course of an unlawful search provided they acted purely on their own and the police did not encourage nor participate in the private search and seizure is admissible. In the first example, if the discovery of methamphetamine was made by an employee of the bus company tasked to conduct routine inspections and searches, then the same does not constitute unreasonable search and the evidence obtained is admissible in court.

Music Essay -- essays research papers

The beauty of music is found in every soul† were the words of my grandmother. She always managed to bring music into every aspect of her life; whether it was ordinary housework or religious functions, she was ready to sing at any time. Her music was not the only part of her life; she was also the mother of six children and the wife of a prominent farmer. Although her life was complicated and, at many times, unbearable, music was never forsaken; it was one of her treasures. Through her and her treasure I realized what life and death really are. Her perseverance through her problems and her patience with her children and grandchildren has always amazed me.   Ã‚  Ã‚  Ã‚  Ã‚  During elementary school, I remember a period of time when my grandmother stayed over our apartment. Although it was uncomfortable for a few weeks, I loved to hear her stories, especially the ones that were songs. It was fascinating because her songs would reflect her experiences, and goals in life; for example, one of her stories was about village women washing their clothes at the river in India. All through my childhood, I listened to her exciting stories, and, even confronted her with questions that made her laugh throughout the night. At that moment her laughter and smile were captured in my heart forever.   Ã‚  Ã‚  Ã‚  Ã‚  As I grew older, my relationship with my grandmother became less of a priority. Instead I began to forget about my family and became more concerned with fr...

Death’s Marathon Shot0By-Shot Analysis

Shot-by-shot Analysis of â€Å"Death's Marathon† dir. D. W. Griffith. (1913) Shot 1(straight-on angle): †¢White text on black background written, † To find his friend before he losses all† (2 seconds). Cut to Shot 2 (medium long shot, slightly low angle): †¢Front of house, with stairs slightly to the right of shot and potted plant on either side of stairs. Friend (man) enters from right and walks up stairs (2 seconds). Cut to Shot 3 (medium shot, straight-on angle): †¢Interior of living room where foreground is pretty vacant but background has a study and a desk with a vase with flowers in it.There are three ladies standing: Two nurses on either side of the wife. wife asks maid on left something (1 second) then turns back towards camera (1 second) to ask maid on right also (2 second). Turns back to face camera (2 seconds). Then knock on door (presumably by friend) startles maids and wife and the maid on the left exits shot (3 seconds). Re-enter maid and friend from the left. Friend asks about husband with sharp hand movements (2 seconds). Cut to. Shot 4 (medium long shot, slightly high angle): interior of room with gambling table 3/4 shown on the bottom left corner of shot (foreground) and five men sitting around it gambling and doorman standing in background (2 seconds). Doorman turns to open door (1 second). Cut to Shot 5 (medium close-up, high angle): †¢Gambling table with chips and cards on table, and one player's hands (player to the left of husband) holding cards, places them down and takes all the chips in the centre of table(3 seconds). Cut to Shot 6 (same as shot 4) †¢(setting same as shot 4) and the man to the left of the husband swipes able and brings all his winnings to him and begin to stack up chips (2 seconds) then husband harshly throws two cards on the table, one at a time (2 seconds). Cut to. Shot 7 (medium long shot, straight-on angle) †¢friend on the left of shot, speaking with wife, on the ri ght of shot turned towards each other with their forearms elevated in foreground of shot. Two maids standing in the background (2 seconds). Then friend and maid standing on left exit shot to the left (1 second) and maid on the right exits to the right of shot, leaving wife to stand alone in the centre of shot (2 seconds).Cut to. Shot 8 (long shot, slightly low angle): †¢(setting like shot 2) friend walks down stair and out of house (2 seconds) Shot 9 (same as shot 4) †¢(setting same as shot – but without doorman) Player to the right of husband and husband place chips into the centre of table respectively (3 seconds). They both fold cards and player to the right of husband swipes all the chips in the centre of table towards him and laughs (5 seconds). Husband bangs fists on table and gets up and exits door in background while man sitting on the right of shot gets up to congratulate man on who won (5 seconds).Cut to. Shot 10 (long shot, straight-on angle): †¢ sho t of exterior of house with big pillars and stairs on left of screen. Husband walks down two steps, pauses, then continues walking and exits out from the right (5 seconds): Shot 11 (medium long shot, straight-on angle) †¢interior of room (like shot 3). Wife has back to camera and walks towards the background with worried expression (right hand clasped on face) and then turns to the left of shot (8 seconds). Cut to. Shot 12 (long shot, straight-on angle): exterior of house (like shot 10) car drives through and parks in front of stairs on the right of shot with friend in the car. Friend gets off, converses with driver then walks into the house (4 seconds). Cut to. Shot 13 (medium long shot, slightly high angle) †¢interior of house (like shot 9). Friend barges into room, and walks over to gambling table where game is going on. Presumably asks players and spectators where husband is, they reply and friends leaves the room (7 seconds). Cut to. Shot 14 (long shot, straight-on an gle) Friend runs out of house (same setting as shot 10) from left of shot, down stairs and into his car. His drivers drives him away, exit right of shot (4 seconds). Cut to. Shot 15 (medium long shot, straighten angle) †¢shot of husband walking on the street along shops, one which has â€Å"rokers† written on window on the left of screen. He walks towards the shop, pauses to stare at it and then walks in (4 seconds). Cut to. Shot 16 (medium shot, straight on) †¢ interior of ‘Rokers' shop. There is a desk with a telephone on it, and chair in the foreground.The background though is more cluttered with a study, stacks of books, a rocking chair and cabinets . Husband enters through door on the right of shot. inspects the space, takes his hat off then unbuttons his jacket, pulls a gun that he's been keeping in his pocket out and sits down on chair and is inspecting the gun (21 seconds). Cut to. Shot 17 (long shot, slightly high angle) †¢shot of exterior of hou se (like shot 2). Friend's car drives in from right of screen and parks in front of steps leading up to house front door. Friend gets off car and walks briskly into the house (5 seconds). Cut to.Shot 18 (medium long shot, slightly high angle): †¢interior of room (like shot 3), wife sitting on chair on the right side of the foreground. Then enters maid with friend. Cut to. Shot 19 (medium shot, straight on) †¢interior of room (like shot 16). Husband sitting on chair, leaning against table with telephone near his elbow. Husband looks at gun, chuckles then looks at telephone and picks it up (8 seconds). cut to. Shot 20 (medium shot, straight-on) †¢interior of room (like shot 3), friend and wife talking then phone rings and friend picks it up (5 seconds). cut to. Shot 21 (medium shot, straight-on) Interior of room (like shot 16), husband sitting on seat leaned against table speaking on telephone (4 seconds). Cut to. Shot 22 (medium shot, straight-on) †¢interior of ro om (like shot 3) friend laughs on phone then wife gets up looking relieved and happy (2 seconds). Cut to. Shot 23 (medium shot, straight on) †¢husband in same pose as in shot 21 continues to speak on the phone looking at his gun which is now pointed towards the ceiling (5 seconds). Cut to Shot 24 (title) †¢White text on black background that reads, â€Å"Determined upon suicide† (3 seconds) Shot 25 (medium shot, straight-on) friend and wife standing in the middle of interior of room (like shot 3), friend speaking on the phone and wife standing looking over shoulder (2 seconds). Cut to. Shot 26 (medium shot, straight-on) †¢interior of room (like shot 16) with husband in same position as shot 21, continues to laugh and talk; still pointing gun to ceiling (2 seconds). Cut to. Shot 27 (medium shot, straight-on) †¢friend and wife in same position as shot 25, friend getting angry, hands wife the telephone then exits to the left of shot. Wife speak on the phone w ith softer, happier expression (11 seconds).Cut to Shot 28 (Long shot, straight-on) †¢friend exits house, gets into car, then is briskly giving instructions to his driver pointing forward. The car drives off and exits to the right of the shot leaving a dust trail behind (3 seconds). Cut to. Shot 29 (Medium shot, straight on) †¢Husband sitting in same position as shot 21 and continues to speak on the phone and absentmindedly play with his gun (5 seconds). Cut to. Shot 30 (medium shot, straight-on) †¢interior of room (like shot 3), wife standing in the centre and continues to speak on the phone and occasionally smiling (5 seconds).Cut to. Shot 31 (long shot, straight on) †¢shows friend's car turning onto main road from left of shot and driving towards audience (3 seconds). Cut to. Shot 32 (medium shot, straight-on) †¢interior of house (like shot 3) with wife in same position as shot 30. Wife now looks worried and is accentuating the things she is saying over t he phone (6 seconds). Cut to Shot 33 (medium shot, straight-on) †¢setting and husband in same position as shot 21. Husband laughs once and looks at his gun (4 seconds). Cut to Shot 34 (medium shot, straight-on) wife in interior of room (like shot 30) and continues to look worried in and disagree into the phone, but after starts smiling and calming down slightly (13 seconds). Cut to. Shot 35 (medium shot, straight on) †¢same as shot 29 (2 seconds). Cut to Shot 36 (medium shot, straight-on) †¢wife in interior of room (like shot 3) and continues to speak on the phone worriedly. She then puts the phone down and moves off screen from the right (5 seconds). Cut to. Shot 37 (medium shot, straight on) †¢interior of room like shot 21, but the man stops speaking and puts the phone down (2 seconds). Cut to.Shot 38 (medium long shot, straight on) †¢interior like shot 3, wife frantically walking around room then moves off screen from the right (4 seconds). Cut to Shot 39 (medium long shot, straight-on) †¢interior of room which as a curtain on the right, a lot of empty space in the centre, a chair and a cabinet on the foreground to the right and a cabinet in the background on the left. The wife enters through the curtains on the left puts hand up and looks exhausted (3 seconds). Cut to. Shot 40 (medium shot, straight-on) †¢husband sitting on a chair in the same interior of room as shot 16.He looks straight at the camera and thinks then proceeds to write something down on (8 seconds). Cut to. Shot 41 (long shot, straight on) †¢car driving on windy road at fast speed (3 seconds). Cut to Shot 42 (medium shot, straight on) †¢husband sitting in same interior of room as shot 16 holding telephone in one hand and the gun in the other (gun pointing towards viewer). His eyes get droopy and he looks from the gun straight to the camera then smiles slightly (10 seconds). Cut to. Shot 43 (medium shot, straight-on) †¢same interior of room as shot 39, wife looks panicked, maid enters frame rom right side carrying baby and they all exit through the curtain on the left of the frame (3 seconds). Cut to Shot 44 (medium shot, straight-on) †¢wife and maid holding baby enters interior of room (like shot 3) from right. Wife picks up phone looking worried still and maid and baby stand to her left looking concerned (3 seconds). Cut to Shot 45 (medium shot, slightly high angle) †¢interior of room (like shot 16) husband is still sitting looking at his gun, then something on the telephone catches his attention and he puts it to his ear (3 seconds). ut to. Shot 50 (medium shot, straight on) †¢same setting and positioning as shot 44. Wife puts phone to baby's ear and tries to get him/her to speak (5 seconds). Cut to. Shot 51(medium shot, straight on) †¢same setting and positioning as shot 45, husbands looks more happy to hear the voice on the phone (3 seconds). Cut to Shot 52 (medium shot, straight-on) †¢sam e as shot 50 (2 seconds). Cut to. Shot 53 (medium shot, straight on) †¢same setting and position as shot 51, husband looks relieved but sad. (3 seconds). Cut to. Shot 54 (medium shot, straight on) same setting and shot as 44 wife tells maid and baby to leave, they exit to the left of the shot then wife continues to speak on the phone (3 seconds). Cut to Shot 56 (long shot, straight on) †¢shot of streets and car driving fast down in (2 seconds). Cut to. Shot 57 (medium shot, straight-on) †¢same setting as shot 44. Wife standing in the centre of shot continues to speak on the phone (2 seconds). Cut to. Shot 60 (medium shot, straight on) †¢same setting as shot 45, husband puts phone down and slowly brings gun up to temple (6 seconds). Cut to. Shot 61 (medium shot, straight on) Wife in same setting and position as shot 57. She continues to listen attentively to the phone, then has two shocks when she hears something on the phone. (12 seconds). Cut to. Shot 62 (medium shot, straight-on) †¢same setting and position as shot 60, husband takes fuming gun out of mouth slowly (2 seconds). Cut to . Shot 63 (medium shot, straight on) †¢same setting and positioning as shot 52. Wife now frantically speaking into phone (9 seconds). Cut to. Shot 64 (long shot, straight on) †¢Friend's car drives around the corner and parks in front of shop. He gets off quickly (3 seconds).Cut to. Shot 65 (medium long shot, straight on) †¢friend runs quickly through door at the background then exits through door on the left of screen (5 seconds). Cut to. Shot 66 (medium long shot) †¢friend walks into interior of room (like shot 16) then slowly picks up friend by the head and then places him back down (15 seconds). Cut to. Shot 67 (medium shot, straight-on) †¢wife standing in the same interior as shot 63 speechless (4 seconds). Cut to. Shot 68 (medium shot, straight on) †¢ same interior of room as shot 66 friend stares at dead husband and the n picks up telephone. Cut to.Shot 69 (medium shot, straight on) †¢Wife still speaking on the phone in interior of room like shot 63 (4 seconds). Cut to. Shot 70 (medium shot, straight on) †¢friend in same position as shot 68 speaking on the telephone (2 seconds). Cut to. Shot 71 (medium shot, straight on) †¢same as shot 69 (2 seconds). Cut to. Shot 72 (medium shot straight on) †¢same as shot 70 (2 seconds). Cut to. Shot 73 (medium Shot, Straight on) †¢same setting and position as shot 69, then wife puts telephone down and looks shocked and sad and exits to the right of the shot (13 seconds). Cut to. Shot 74 (long shot, straight on) same interior as shot 39, wife enters from right of shot, can see her profile, then she drops to the floor and her head is partially hidden between the cabinets in the background and foreground (12 seconds). Cut to. Shot 75 (title) †¢white writing on black background written, â€Å"The wife set free from her unfortunate alli ance† (6 seconds). Cut to. Shot 76 (medium long shot, slightly high angle) †¢interior of room, with lots of furniture, wife sitting on chair looking sad, friend enters from left of shot and give a huge bouquet of flower to wife, wife looks slightly happy and hopefully (32 seconds) Written Account of Death's Marathon† dir. D. W. Griffith. (1913) D. W. Griffith's â€Å"Death's Marathon† contain certain prominent stylist cinematic features which are evident through the repetitive use of mise-en-scene, specifically the setting and staging of each shot, editing, framing and the level and angle of each shot. Firstly, the mise-en-scene used in this extract of â€Å"Death's Marathon† are specific to the setting, props and movement of characters. In this clip, the settings evident mainly include the interior of rooms in houses or the landscape of the geographical location as evident with the long shots of the roads and town.These settings are used primarily to show that the story is focused around family and relationship issues as the problems that arise in the story include conflict between marital and business relations. Also, the each setting of the interior of rooms where shot with a short focal length (wide angle) which exaggerated the depth making the distance between the background and foreground seem greater. Apart from the setting, the props used help the viewers distinguish between each interior of the rooms. Also, in each setting there is a different alignment of chairs, desks etc. hich makes certain different props stand out; this allows for objects such as the telephone to become a motif prop. In regards to mise-en-scene, the movement of the character, or lack thereof, is another formal property which is largely evident in this extract because most of the movement is restricted to the small, central area of each shot creating an emphasis on the character's actions. Apart from being restrictive, the character's movement is als o The angle and distance of framing of the shot in this extract are all very imilar in the sense that most of the shots are either a straight on angle or has a slight hight angle. And the Apart from the miss-en-scene aspect of the extract, the specific editing used, combined with the shot length was another stylistic pattern that was evident. The extract did not have any use of transitions. It only cut from one shot to the next throughout. However, Griffith did use shot-reverse-shot technique when the characters were having a discussion over the telephone specifically when the wife was speaking with her husband leading up to his death.The build up to the climax (death of husband) used the shot-reverse-shot technique which includes using shots with shorter lengths (2 seconds each) to create a rhythmic beat, much like that of a heart beat. This slow shot length however is also balanced with longer shots (which lasted up to 12 seconds), more specifically evident after the death of the husband which mimicked the speechlessness of the wife. †¢ angle – straight on angle, medium + long shot (quite simple)